The participants will paint and/or draw on huge paper surfaces with any desired paint and technique. This two-day workshop is structured to accomplish several compositions or works in a large format. No tools are necessary for the first class Kiln firing fee if applicable is not included. The more advanced artist is invited to create within a narrative of their choice. The beginning student will quickly gain comfort and a facility towards an ease of creating. The class is structured towards the individual, therefore all levels and experience are welcomed. The figure in the round, a fragment, torso, foot, hand, or creating the Bas Relief or a composition in the abstract. The fundamentals of Sculpture, of creating a form in space, will be rigorously addressed and applied to a variety of choices including, but not limited to You will be shown and gain experience using the various types of tools used in shaping an object from its plasticity to its final cast or kiln fired form. You will be introduced of the different types of clay its history and its application to Sculpture. ![]() It has been a part of the creative sculptural process in the arts for over 13,000 years, it is the soil of the earth. Students are encouraged to experiment with different techniques and styles while receiving personalized feedback and guidance from the instructor.įALL SESSION 1: September 15 - November 3Ĭlay is the medium of choice for this class. Throughout the course, we will discuss the principles of composition, color theory, and texture and how these can create cohesive and visually captivating collages. We will begin by reflecting on our specific memories and dreams then, students can journal and sketch thoughts, themes, and ideas, using them as inspiration for different pieces. ![]() Students will have the opportunity to delve into their own experiences to create unique pieces of artwork that reflect their individuality and creativity while exploring various techniques for creating collages, including layering, blending, and exploring found materials such as old photographs, magazine clippings, and fabric scraps. This class will explore creating collages that visually represent personal memories and dreams. We do not allow mineral spirits or toxic mediums like Liquin in the class. We will be using a refined non-toxic linseed oil in this class as an oil painting medium to achieve the same results as regular toxic painting mediums. The instructor will analyze the structure of the eyes, nose, mouth, cheeks, chin, and ears. There will be a focus on creating the portrait it will teach the student to draw and paint facial features more accurately and 3-dimensionally. ![]() ![]() Develop a fuller understanding of light and shadow, warm and cool colors, sculptural strokes, and simple, expressive shapes while using the painting medium of your choice, including oil, pastel, or watercolor. Paint or draw the human figure in costume, delving into themes such as historical dress, the use of hats, musical instruments, and other evocative or historically significant props. Figure: Painting the Model in Costume, with a Focus on PortraitįALL SESSION 1: September 11 - October 30
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